In international relations, aid (also known as international aid, overseas aid, or foreign aid) is a voluntary transfer of resources from one country to another, given at least partly with the objective of benefiting the recipient country. It may have other functions as well: it may be given as a signal of diplomatic approval, or to strengthen a military ally, to reward a government for behaviour desired by the donor, to extend the donor's cultural influence, to provide infrastructure needed by the donor for resource extraction from the recipient country, or to gain other kinds of commercial access. Humanitarianism and altruism are, nevertheless, significant motivations for the giving of aid. In line with this train of thought, the capability approach promotes the development of giving aid with an aim towards improving each individual's freedoms to develop capabilities.

Aid may be given by individuals, private organisations, or governments. Standards delimiting exactly the kinds of transfers that count as aid vary. For example, aid figures may or may not include transfers for military use: to cite one instance, the United States included military assistance in its aid figure until 1957 but no longer does. Another issue is whether to count remittances by expatriate workers to family members in their home countries as aid. This constitutes a large but difficult to measure international flow of funds. Depending on the definition, loans may or may not be counted as aid.

Even if the principles of a definition are set, it remains difficult to determine the effective flow of aid because aid is fungible: receiving aid may free up funds in the recipient country for use in non-aid projects that could not have been undertaken had the aid not been received. For example, receiving food aid may enable a government to divert funds from its own food-support budget to its military budget. In that case the net effect of the aid is military although the aid money might actually be spent on food.

Official organisations and those scholars who are primarily concerned with government policy issues frequently include only government-sourced aid in their aid figures, omitting aid from private sources. The most widely used measure of aid, "Official Development Assistance" (ODA) is such a figure. It is compiled by the Development Assistance Committee of the Organisation for Economic Co-operation and Development. The United Nations, the World Bank, and many scholars use the DAC's ODA figure as their main aid figure because it is easily available and reasonably consistently calculated over time and between countries. The DAC consists of 22 of the wealthiest Western industrialised countries plus the EU; it is a forum in which they coordinate their aid policies.

History

Aid existed in ancient times. More recently, in the nineteenth century, some private aid flowed from the Western countries to the rest of the world; missionary schools are an example. In the nineteenth and early twentieth centuries, aid from governments was tiny compared to present levels, consisting mostly of occasional humanitarian crisis relief. Some transfers that would now be counted as aid, however, came under the purview of colonial office budgets. It was at the end of World War Two, in the contexts of European reconstruction, decolonisation, and cold war rivalry for influence in the third world, that aid became the major activity that it is today.

Aid may be "given" in the form of financial grants or loans, or in the form of materials, labor, or expertise. Aid is often ''pledged'' at one point in time, but ''disbursements'' (financial transfers) might not arrive until later.

Humanitarian aid

Humanitarian aid or ''emergency aid'' is rapid assistance given to people in immediate distress by individuals, organisations, or governments to relieve suffering, during and after man-made emergencies (like wars) and natural disasters. The term often carries an international connotation, but this is not always the case. It is often distinguished from development aid by being focussed on relieving suffering caused by natural disaster or conflict, rather than removing the root causes of poverty or vulnerability.

The provision of humanitarian aid or humanitarian response consists of the provision of vital services (such as food aid to prevent starvation) by aid agencies, and the provision of funding or in-kind services (like logistics or transport), usually through aid agencies or the government of the affected country. Humanitarian aid is distinguished from humanitarian intervention, which involves armed forces protecting civilians from violent oppression or genocide by state-supported actors.

The Geneva Conventions give a mandate to the International Committee of the Red Cross and other impartial humanitarian organizations to provide assistance and protection of civilians during times of war. The ICRC, has been given a special role by the Geneva Conventions with respect to the visiting and monitoring of prisoners of war.

The United Nations Office for the Coordination of Humanitarian Affairs (OCHA) is mandated to coordinate the international humanitarian response to a natural disaster or complex emergency acting on the basis of the United Nations General Assembly Resolution 46/182.

The Sphere Project handbook, ''Humanitarian Charter and Minimum Standards in Disaster Response,'' which was produced by a coalition of leading non-governmental humanitarian agencies, lists the following principles of humanitarian action: # The right to live with dignity. # The distinction between combatant and non-combatants. # The principle of non-refoulement.

Development aid

Development aid is aid given by developed countries to support development in general which can be economic development or social development in developing countries. It is distinguished from humanitarian aid as being aimed at alleviating poverty in the long term, rather than alleviating suffering in the short term.

Official Development Assistance (ODA), mentioned above, is a commonly used measure of developmental aid. Development aid is given by governments through individual countries' international aid agencies and through multilateral institutions such as the World Bank, and by individuals through development charities such as ActionAid, Caritas, Care International or Oxfam.

The offer to give development aid has to be understood in the context of the Cold War. The speech in which Harry Truman announced the foundation of NATO is also a fundamental document of development policy:

In addition, we will provide military advice and equipment to free nations which will cooperate with us in the maintenance of peace and security. Fourth, we must embark on a bold new program for making the benefits of our scientific advances and industrial progress available for the improvement and growth of underdeveloped areas. More than half the people of the world are living in conditions approaching misery. Their food is inadequate. They are victims of disease. Their economic life is primitive and stagnant. Their poverty is a handicap and a threat both to them and to more prosperous areas. For the first time in history, humanity possesses the knowledge and skill to relieve the suffering of these people.

Specific types

Project aid: Aid is given for a specific purpose e.g. building materials for a new school.

Programme aid: Aid is given for a specific sector e.g. funding of the education sector of a country.

Budget support: A form of Programme Aid that is directly channelled into the financial system of the recipient country.

Sector-wide Approaches (SWAPs): A combination of Project aid and Programme aid/Budget Support e.g. support for the education sector in a country will include both funding of education projects (like school buildings) and provide funds to maintain them (like school books).

Food aid: Food is given to countries in urgent need of food supplies, especially if they have just experienced a natural disaster. Food aid can be provided by importing food from the donor, buying food locally, or providing cash.

Untied aid: The country receiving the aid, can spend the money as they choose.

Tied aid: The aid must be used to purchase products from the country that donated it or a specified group of countries.

Technical assistance: Educated personnel, such as doctors are moved into developing countries to assist with a program of development. Can be both programme and project aid.

Unilateral vs. multilateral: unilateral aid is given by one country directly to another; multilateral aid is given through the intermediacy of an international organization, such as the World Bank, which pools donations from several countries' governments and then distributes them to the recipients.

OECD categories

The Organisation for Economic Co-operation and Development's Development Assistance Committee puts foreign aid into three categories:

Official Development Assistance (ODA): Development aid provided to developing countries (on the "Part I" list) with the clear aim of economic development

''Official Aid'' (OD): Development aid provided to developed countries (on the "Part II" list) and international organizations

''Other Official Flows'' (OOF): Aid which does not fall into the other two categories, either because it is not aimed at development, or it consists of more than 75% loan (rather than grant).

Criticism of aid

Aid is seldom given from motives of pure altruism; for instance it is often given as a means of supporting an ally in international politics. It may also be given with the intention of influencing the political process in the receiving nation. Whether one considers such aid helpful may depend on whether one agrees with the agenda being pursued by the donor nation in a particular case. During the conflict between communism and capitalism in the twentieth century, the champions of those ideologies, the Soviet Union and the United States, each used aid to influence the internal politics of other nations, and to support their weaker allies. Perhaps the most notable example was the Marshall Plan by which the United States, largely successfully, sought to pull European nations toward capitalism and away from communism. Aid to underdeveloped countries has sometimes been criticized as being more in the interest of the donor than the recipient, or even a form of neocolonialism.

S.K.B'. Asante lists some specific motives a donor may have for giving aid: defense support, market expansion, foreign investment, missionary enterprise, cultural extension. In recent decades, aid by organizations such as the International Monetary Fund and the World Bank has been criticized as being primarily a tool used to open new areas up to global capitalists, and being only secondarily, if at all, concerned with the wellbeing of the people in the recipient countries.

Besides criticism of motive, aid may be criticized simply on the grounds that it is not effective: i.e., it did not do what it was intended to do or help the people it was intended to help. This is essentially an ''economic'' criticism of aid. The two types of criticism are not entirely separate: critics of the ideology behind a piece of aid are likely to see it as ineffective; and indeed, ineffectiveness must imply some flaws in the ideology. Statistical studies have produced widely differing assessments of the correlation between aid and economic growth, and no firm consensus has emerged to suggest that foreign aid generally does boost growth. Some studies find a positive correlation, but others find either no correlation or a negative correlation. In the case of Africa, Asante (1985) gives the following assessment:

Summing up the experience of African countries both at the national and at the regional levels it is no exaggeration to suggest that, on balance, foreign assistance, especially foreign capitalism, has been somewhat deleterious to African development. It must be admitted, however, that the pattern of development is complex and the effect upon it of foreign assistance is still not clearly determined. But the limited evidence available suggests that the forms in which foreign resources have been extended to Africa over the past twenty-five years, insofar as they are concerned with economic development, are, to a great extent, counterproductive.

The economist William Easterly and others have argued that aid can often distort incentives in poor countries in various harmful ways. Aid can also involve inflows of money to poor countries that have some similarities to inflows of money from natural resources that provoke the resource curse.

Many individuals and organizations criticize U.S. Aid. Emergency funds from the International Monetary Fund (IMF) and World Bank, for instance, are linked to a wide range of free-market policy prescriptions that some argue interfere in a country's sovereignty. Policy prescriptions from outsiders can do more harm as they might not fit the local environment. The IMF can be good at helping countries over a short problematic financial period, but for poor countries with long lasting issues it can cause harm. In his book ''The White Man's Burden'', Easterly argued that if the IMF only gave adjustment loans to countries that can repay it, instead of forgiving debts or lending repetitively even if conditions are not met, it would maintain its credibility.

In addition to the above criticisms, the logistics in which aid delivery occurs can be problematic. An earthquake in 2003 in Bam, Iran left tens of thousands of people in need of disaster zone aid. Although aid was flown in rapidly, regional belief systems, cultural backgrounds and even language seemed to have been omitted as a source of concern. Items such as religiously prohibited pork, and non-generic forms of medicine that lacked multilingual instructions came flooding in as relief. An implementation of aid can easily be problematic, causing more problems than it solves.

James Shikwati, a Kenyan economist, has argued that foreign aid causes harm to the recipient nations, specifically because aid is distributed by local politicians, finances the creation of corrupt government such as that led by Dr Fredrick Chiluba in Zambia bureaucracies, and hollows out the local economy. In an interview in Germany's ''Der Spiegel'' magazine, Shikwati uses the example of food aid delivered to Kenya in the form of a shipment of corn from America. Portions of the corn may be diverted by corrupt politicians to their own tribes, or sold on the black market at prices that undercut local food producers. Similarly, Kenyan recipients of donated Western clothing will not buy clothing from local tailors, putting the tailors out of business. In an episode of ''20/20'', John Stossel demonstrated the existence of secret government bank accounts which concealed foreign aid money destined for private purposes.

Some believe that aid is offset by other economic programs such as agricultural subsidies. Mark Malloch Brown, former head of the United Nations Development Program, estimated that farm subsidies cost poor countries about USD$50 billion a year in lost agricultural exports:

"It is the extraordinary distortion of global trade, where the West spends $360 billion a year on protecting its agriculture with a network of subsidies and tariffs that costs developing countries about US$50 billion in potential lost agricultural exports. Fifty billion dollars is the equivalent of today's level of development assistance."

Some have argued that the major international aid organizations have formed an aid cartel.

Another criticism is that financial flows from foreign aid can provoke effects that are similar to the resource curse.

In response to aid critics, a movement to reform U.S. foreign aid has started to gain momentum. In the United States, leaders of this movement include the Center for Global Development, Oxfam America, the Brookings Institution, InterAction, and Bread for the World. The various organizations have united to call for a new Foreign Assistance Act, a national development strategy, and a new cabinet-level department for development.

Beyond aid

As a result of these numerous criticisms, other proposals for supporting developing economies and poverty stricken societies. Some analysts, such as researchers at the Overseas Development Institute, argue that current support for the developing world suffers from a policy incoherence and that while some policies are designed to support the third world, other domestic policies undermine its impact, examples include:

encouraging developing economies to develop their agriculture with a focus on exports is not effective on a global market where key players, such as the US and EU, heavily subsidise their products

providing aid to developing economies' health sectors and the training of personnel is undermined by migration policies in developed countries that encourage the migration of skilled health professionals

One measure of this policy incoherence is the Commitment to Development Index (CDI) published by the Center for Global Development . The index measures and evaluates 22 of the world's richest countries on policies that affect developing countries, in addition to simply aid. It shows that development policy is more than just aid; it also takes into account trade, investment, migration, environment, security, and technology.

Thus, some states are beginning to go ''Beyond Aid'' and instead seek to ensure there is a policy coherence, for example see Common Agricultural Policy reform or Doha Development Round. This approach might see the nature of aid change from loans, debt cancellation, budget support etc., to supporting developing countries. This requires a strong political will, however, the results could potentially make aid far more effective and efficient.

Response to criticisms of aid

Where aid actually goes

It is true that aid is rarely given for motives of pure altruism. However, it is important to look at where aid goes. For example, “only about one fifth of U.S. aid goes to countries classified by the OECD as ‘least developed.’” This “pro-rich” trend is not unique to the United States. According to Collier, “the middle income countries get aid because they are of much more commercial and political interest than the tiny markets and powerlessness of the bottom billion.” What this means is that, at the most basic level, aid is not targeting the most extreme poverty.

The form of aid must also be considered. The World Bank, until recently, issued only loans, meaning that the country must repay both the loan and the interest rates. In contrast, the European Commission issues grants, which countries need not worry about paying back. This means that “loans have been going to the poorest countries and the grants to the middle-income countries.”

Furthermore, consider the breakdown, where aid goes and for what purposes. In 2002, total gross foreign aid to all developing countries was $76 billion. Dollars that do not contribute to a country’s ability to support basic needs interventions are subtracted. Subtract $6 billion for debt relief grants. Subtract $11 billion, which is the amount developing countries paid to developed nations in that year in the form of loan repayments. Next, subtract the aid given to middle income countries, $16 billion. The remainder, $43 billion, is the amount that developing countries received in 2002. But only $12 billion went to low-income countries ($15 billion for all developing countries) in a form that could be deemed budget support for basic needs.

When aid is given to the Least Developed Countries who have good governments and strategic plans for the aid, it is thought that it is more effective.

Implications

The basic criticism of aid is that it neither goes where it was intended nor helps those intended. According to Collier, there are four known traps that contribute this problem. The first such trap is known as the conflict trap. Aid should not be used to finance military endeavors. It is difficult to “design aid in such a way that it works even in the environments of poor governance and poor policy that are most at risk of conflict.” The second trap is called the natural resource trap. Countries that are resource rich already have a large volume of capital flowing into their economies. However, it is not being used to its potential. The third trap occurs when a country is entirely landlocked. This one is not too hard to figure out – it is difficult for these countries to engage in global trade.

The fourth trap is that of bad governance. However, “there are three ways in which aid can potentially help turnarounds: incentives, skills, and reinforcement.” Policy conditionalities, or structural adjustments, were reservations put on aid until a government agreed to aid implemented in the 1980s. This did not work. Aid needs to somehow provide incentives for giving the people power. Power needs to be transferred from the governments to the people. Aid should be restructured in order to allow for skills building in country. According to Collier, “technical assistance is not negligible – money spent on countries with the skilled people who constitute technical assistance is a quarter of total aid flows.” The problem is not that too little money is being provided, rather that technical assistance is not country specific. Aid is also given as budget support, reinforcement for failing states. There is an opportune moment for assisting failing states but it must be done at the right time. Aid cannot be continually poured into failing states and be expected to produce a turnaround. However, if aid is given at the opportune political moment, it can support turnarounds. Collier suggests that when that moment occurs “pour in the technical assistance as quickly as possible to help implement reform” and “then, after a few years, start pouring in the money for the government to spend.”

Impact

Peter Singer argues that over the last three decades, “aid has added around one percentage point to the annual growth rate of the bottom billion.” He argues that this has made the difference between “stagnation and severe cumulative decline.” Aid can make progress towards reducing poverty worldwide.

Aid Inefficiencies and Possible Improvements

Aid Destinations

It is true that aid is rarely given for motives of pure altruism. However, it is important to look at where aid goes. For example, “only about one fifth of U.S. aid goes to countries classified by the OECD as ‘least developed.’” This “pro-rich” trend is not unique to the United States. According to Collier, “the middle income countries get aid because they are of much more commercial and political interest than the tiny markets and powerlessness of the bottom billion.” What this means is that, at the most basic level, aid is not targeting the most extreme poverty.

The form of aid must also be considered. The World Bank, until recently, issued only loans, meaning that the country must repay both the loan and the interest rates. In contrast, the European Commission issues grants, which countries need not worry about paying back. This means that “loans have been going to the poorest countries and the grants to the middle-income countries.”

Furthermore, consider the breakdown, where aid goes and for what purposes. In 2002, total gross foreign aid to all developing countries was $76 billion. Dollars that do not contribute to a country’s ability to support basic needs interventions are subtracted. Subtract $6 billion for debt relief grants. Subtract $11 billion, which is the amount developing countries paid to developed nations in that year in the form of loan repayments. Next, subtract the aid given to middle income countries, $16 billion. The remainder, $43 billion, is the amount that developing countries received in 2002. But only $12 billion went to low-income countries ($15 billion for all developing countries) in a form that could be deemed budget support for basic needs.

When aid is given to the Least Developed Countries who have good governments and strategic plans for the aid, it is thought that it is more effective.

Aid outcomes and implications

The basic criticism of aid is that it neither goes where it was intended nor helps those intended. According to Collier, there are four known traps that contribute this problem. The first such trap is known as the conflict trap. Aid should not be used to finance military endeavors. It is difficult to “design aid in such a way that it works even in the environments of poor governance and poor policy that are most at risk of conflict.” The second trap is called the natural resource trap. Countries that are resource rich already have a large volume of capital flowing into their economies. However, it is not being used to its potential. The third trap occurs when a country is entirely landlocked. This one is not too hard to figure out – it is difficult for these countries to engage in global trade.

The fourth trap is that of bad governance. However, “there are three ways in which aid can potentially help turnarounds: incentives, skills, and reinforcement.” Policy conditionalities, or structural adjustments, were reservations put on aid until a government agreed to aid implemented in the 1980s. This did not work. Aid needs to somehow provide incentives for giving the people power. Power needs to be transferred from the governments to the people. Aid should be restructured in order to allow for skills building in country. According to Collier, “technical assistance is not negligible – money spent on countries with the skilled people who constitute technical assistance is a quarter of total aid flows.” The problem is not that too little money is being provided, rather that technical assistance is not country specific. Aid is also given as budget support, reinforcement for failing states. There is an opportune moment for assisting failing states but it must be done at the right time. Aid cannot be continually poured into failing states and be expected to produce a turnaround. However, if aid is given at the opportune political moment, it can support turnarounds. Collier suggests that when that moment occurs “pour in the technical assistance as quickly as possible to help implement reform” and “then, after a few years, start pouring in the money for the government to spend.”

Actual Impact

Peter Singer argues that over the last three decades, “aid has added around one percentage point to the annual growth rate of the bottom billion.” He argues that this has made the difference between “stagnation and severe cumulative decline.” Aid can make progress towards reducing poverty worldwide.

Improving the economic efficiency of aid

Currently, donor institutions make proposals for aid packages to recipient countries. The recipient countries then make a plan for how to use the aid based on how much money has been given to them. Alternatively, NGO's receive funding from private sources or the government, and then implement plans to end their specific issues. In the views of many scholars, this system is inherently ineffective. If we hope to eliminate poverty, we must reexamine how we distribute funding, and how we attack problems.

According to Sachs, we should redefine how we think of aid. The first step should be to learn what developing countries hope to accomplish and how much money they need to accomplish those goals. Goals should be made with the Millennium Development Goals in mind for these furnish real metrics for providing basic needs. The “actual transfer of funds must be based on rigorous, country-specific plans that are developed through open and consultative processes, backed by good governance in the recipient countries, as well as careful planning and evaluation.”

Possibilities are also emerging as some developing countries are experiencing rapid economic growth, they are able to provide their own expertise gained from their recent transition. This knowledge transfer can be seen in donors, such as Brazil, whose $1 billion in aid outstrips that of many traditional donors. Brazil provides most of its aid in the form of technical expertise and knowledge transfers. This has been descried by some observers as a 'global model in waiting'.

Various Academic Theories

Since the 1960's, improving the efficiency of foreign aid has been a common topic of academic research. There is debate on whether foreign aid is efficacious, but for the purposes of this article we will ignore that. Given that schema, a common debate is over which factors influence the overall economic efficiency of foreign aid. Indeed, there is debate about whether aid impact should be measured empirically at all, but again, we will limit our scope to increasing the economic efficiency.

Philosophy

At the forefront of the aid debate has been the conflict between professor William Easterly of New York University and his ideological opposite, Jeffrey Sachs, from Columbia University. Easterly advocates the "searcher's" approach, while Sachs advocates a more top down, broad planned approach. We will discuss both of these at length.

“Searchers Approach”

Bill Easterly offers a nontraditional, and somewhat controversial “searching” approach to solving poverty, as opposed to the “planned” approach in his famous critique of the more traditional Owen/Sachs, The White Man’s Burden. Traditional poverty reduction, Easterly claims is based on the idea that we know what is best for those countries, which are impoverished. He claims that they know what’s best. Having a top down “master plan”, he claims is inefficient. His alternative, called the “Searchers” approach uses a bottom up strategy, which surveys the poor in the countries in question, and then tries to directly aid individuals, rather than governments. Local markets are a key incentive structure. The primary example is of Mosquito nets in Malawi. In this example, an NGO sells Mosquito nets to rich Malawians, and uses the profits to subsidize cheap sales to the impoverished. Hospital nurses are used as middle-women, profiting a few cents on every net sold to a patient. This incentive structure has seen the usage of nets in Malawi spike over 40% in less than 7 years.

Aspects of “Searcher’s Approach”

Bottom Up Philosophy

One of the central tenants in Easterly’s approach is a more bottom up philosophy of aid. This applies not only to the identification of problems, but to the actual distribution of capital to the areas in need. In effect, Easterly would have countries go to the area which needed aid, collect information about the problem, find out what the population wanted, and then work from there. In keeping with this, funds would also be distributed from the bottom up, rather than being given to a specific government.

Utilize Aid Organizations, and Local Frameworks

Easterly also advocates working through currently existing Aid organizations, and letting them compete for funding. Local Frameworks, and national organizations are also good.

Aid Individuals, not governments

Easterly strongly discourages aid to government as a rule. He believes, For several reasons, that aid to small “bottom up” organizations and Individual groups is a better philosophy than to large governments.

Independent Evaluation

Easterly claims that for far too long, aid agencies have been inefficient, while still being funded. The current system of evaluation for most aid Programs is internal. Since it is in the best interest of an organization or movement to represent its own success in a positive light, Easterly claims there is much bias. What he proposes as an alternative is an independent auditing system for aid organizations. Before receiving funding, the organization should state their goals and how they expect to measure and achieve them. If they do not meet their goals, Easterly claims we should shift our funding to organizations who are successful, thus making the Aid Organizations become inefficient, or obsolete.

Compartmentalized Goals

Easterly believes that aid goals should be small. In his opinion, one of the main failings of aid lies in the fact that we create large, utopian lists of things we hope to accomplish, without the means to actually see them to fruition. Rather than establish a utopian vision for a particular country, Easterly insists that we shift our focus to the most basic needs and improvements, from the bottom up. In effect, he argues that if we feed, clothe, vaccinate, build infrastructure, and support markets, the macroscopic results will follow.

Use The Market

The “Searching Approach” is intrinsically tied to the market. Easterly Claims that the only way for poverty to truly end is for the poor to be Given the capability to lift themselves out of poverty, and then for it to Happen. Philosophically, this sounds like the traditional “bootstrap” Theory, but it isn’t. What he says is that the poor should be given the Fiscal support to create their market, which gives them the ability to Become self reliant in the future.

Ideas

In the end of his book, Easterly proposes a voucher system for foreign aid. The poor would be distributed a certain amount of vouchers, which would act as currency, redeemable to aid organizations for services, medicines, and the like. These vouchers would then be redeemed by the aid organizations for more funding. In this way, the aid organization would be forced to compete, if by proxy.

Proscriptive ‘Ladder Approach’

Sachs presents a near dichotomy to Easterly. Sachs presents a broad, proscriptive solution to poverty. In his book, The End of Poverty, he explains how throughout history, countries have ascended from poverty by following a relatively simple model. First, you promote agricultural development, then industrialize, then embrace technology, and then you become modern. This is the standard “western” model of development that has been followed by countries such as China and India. Sachs main idea is that there should have a broad analytical “checklist” of things a country must attain before it can reach the next step on the ladder to development. Western nations should donate a percentage of their GDP as determined by the UN, and pump money into helping impoverished countries climb the ladder. This strategy, he insists, will eradicate world poverty by 2025.

Top Down

Sachs advocates using a top down methodology, where broad ranging plans Developed by external aid organizations like the UN and World Bank. He Advocates having these plans so that poverty can be effectively eradicated. Countries should follow the plans, and if they do, they will eventually escape Poverty.

Use External Framework

Part of Sachs’ philosophy includes strengthening the International Monetary Fund, World Bank, and the United Nations. If those institutions are given the Power to enact change, and freed from mitigating influences, then they will be much more effective. Sachs also comments that it is not the fault of these international organizations, as they are composed of member nations, which is where the problem truly lies. The powerful nations of the world must make a commitment to end poverty, and then stick to it, in Sachs’ opinion.

Aid through existing governments

Sachs believes it is best to utilize country governments, and empower the Governments of the impoverished world. He remarks that while the Corruption argument is logically valid in that corruption harms the efficiency Of aid, levels of corruption tend to be much higher on average for countries With low levels of GDP, and contends that this hurdle in government should Not disqualify entire populations for much needed aid from the west.

Self Evaluation

Sachs does not see the need for independent evaluators, and sees them as a detractor to proper progress. He argues that many facets of aid cannot be effectively quantified, and thus it is not fair to try to put empirical benchmarks on the effectiveness of aid.

Optimism

Sachs’ view makes it a point to attack and attempt to disprove many of the ideas that the more “pessimistic” Easterly stands on.

First, he points to economic freedom. One of the common threads of logic In aid is that countries need to develop economically in order to rise from Poverty. On this, there is not a ton of debate. However, Sachs contends that Easterly, and many other neo-Liberal economists believe high levels of Economic freedom in these emerging markets is almost a necessity to Development. Sachs himself does not believe this. He cites the lack of Correlation between the average degrees of Economic Freedom in countries And their yearly GDP growth, which in his data set is completely Inconclusive.

Also, Sachs contends that democratization is not an integral part of having Efficient aid distribution. Rather than attach strings to our aid dollars, or only Working with democracies or “good governments”, Sachs believes we should Consider the type of government in the needy country as a secondary Concern.

Sachs’ entire approach stands on the assertion that abject poverty could be Ended worldwide by 2025.

Economic Efficiency

David Dollar

Dollar/Collier showed that current allocations of aid are allocated inefficiently. They came to the conclusion that aid money is given in many cases as an incentive to change policy, and for economic reasons, which in many cases can be less efficient than is optimal. They agree that bad policy is detrimental to economic growth, which is a key component of poverty reduction, but have found that aid dollars do not significantly incentivize governments to change policy. In fact, they have negligible impact. As an alternative, Dollar proposes that aid be funneled more towards countries with “good” policy and less than optimal amounts of aid for their massive amounts of poverty. With respect to “optimal amounts” Dollar calculated the marginal productivity of each additional dollar of foreign aid for the countries sampled, and saw that some countries had very high rates of marginal productivity (each dollar went further), while others [with particularly high amounts of aid, and lower levels of poverty] had low [and sometimes negative] levels of marginal productivity. In terms of economic efficiency, aid funding would be best allocated towards countries whose marginal productivities per dollar were highest, and away from those countries who had low to negative marginal productivities. The conclusion was that while an estimated 10 million people are lifted from poverty with current aid policies, that number could be increased to 19 million with efficient aid allocation.

Dalgaard

In a followup study to Collier, Dalgaard finds that regardless of policies and utility, aid seems to be less efficient per dollar in the tropics. He states that aid dollars are likely to be just as effective anywhere, so there must be a mitigating externality that is not being accounted for or fleshed out.

“New Conditionality”

New Conditionality is the term used in a paper to describe somewhat of a compromise between Dollar and Hansen. Paul Mosely describes how policy is important, and that aid distribution is improper. However, unlike Dollar, “New Conditionality” claims that the most important factors in efficiency of aid are income distributions in the recipient country and corruption.

McGillivray

One of the problems in foreign aid allocation is the marginalization of the fragile state. The fragile state, with its high volatility, and risk of failure scares away donors, and the people of those states feel harm as a result. Additionally, the fate of neighboring states is important, as economies of the directly adjacent states to those impoverished, volatile “fragile states” can be negatively impacted by as much as 1.6% of their GDP per year. This is no small figure. McGillivray advocates for the reduced volatility of aid flows, which can only be attained through analysis and coordination.

Beynon

Beynon revisits Collier/Dollar’s “efficient aid allocation” and finds much of the same results, although he believes that the model needs to be more robust, with more samplings, and take into account other Millennium Development Goals.

Societal Efficiency

Need Section Here

Structural Qualifications

Need Section here about different types of government

See also

Debt relief

Disability aid abroad

Global Food Security Act of 2009

International Aid Transparency Initiative

Transparency International

United States foreign aid

Notes and references

Håkan Malmqvist (2000), ''Development Aid, Humanitarian Assistance and Emergency Relief'', Ministry for Foreign Affairs, Sweden.

Andrew Rogerson with Adrian Hewitt and David Waldenberg (2004), ''The International Aid System 2005–2010 Forces For and Against Change'', ODI Working Paper 235.

Anup Shah, US and Foreign Aid Assistance, GlobalIssues.org, Last updated: Sunday, April 27, 2008.

Millions Saved A compilation of case studies of successful foreign assistance by the Center for Global Development.

ActionAid, May 2005, "Real Aid" - analysis of the proportion of aid wasted on consultants, tied aid, etc.

Mousseau, Frederic and Anuradha Mittal. “Food Sovereignty: Ending World Hunger in Our Time.” The Humanist. March/April 2006: 35-40.

Further reading

The cartel of good intentions, Foreign Policy, Washington, Jul/Aug 2002, Authors: William Easterly, Issue: 131, Pagination: 40-49, ISSN: 00157228

External links

Foreign Relations and International Aid resources from University of Colorado–Boulder

AidData - a web portal for information on development aid, including a database of aid activities financed by donors worldwide

EuropeAid Cooperation Office

OECD Development Co-operation Directorate (DAC)

Overseas Development Institute

Aid Reform Campaign at Oxfam America

Foreign Aid at Brookings Institution

Center for Global Development's Modernizing U.S. Foreign Assistance Initiative

Aid Workers Network

www.realityofaid.org

Aid Harmonization: What Will It Take to Meet the Millennium Development Goals?

Aid at GlobalIssues.org

Euforic makes information on Europe's development cooperation more accessible

The Development Executive Group Resource for staffing, tracking, winning, and implementing development projects.

European Network on Debt and Development reports, news and links on development aid.

How Food Aid Work.

Aid Guide at OneWorld.net

NL-Aid.

Foreign Aid Projects 1955-2010

Category:International relations Category:Aid

es:Ayuda exterior fr:Aide he:סיוע בינלאומי ht:Èd ms:Bantuan ja:外国援助 simple:Foreign aid fi:Ruoka-apu sv:Bistånd zh:外援

name	Amy Winehouse
alt	Amy Winehouse at the Eurockéennes festival in France (2007)
background	solo_singer
birth name	Amy Jade Winehouse
birth date	September 14, 1983
birth place	Southgate, London, UK
death date	July 23, 2011
death place	Camden, London, UK
genre	Soul, R&B, jazz
instrument	Vocals, guitar
occupation	Singer, songwriter
years active	1998–2011
label	Island, Lioness, Universal Republic (U.S.)
website	}}

Amy Jade Winehouse (14 September 1983 – 23 July 2011) was an English singer-songwriter known for her powerful deep contralto vocals and her eclectic mix of musical genres including R&B, soul and jazz. Winehouse's 2003 debut album, ''Frank'', was critically successful in the UK and was nominated for the Mercury Prize. Her 2006 follow-up album, ''Back to Black'', led to six Grammy Award nominations and five wins, tying the then record for the most wins by a female artist in a single night, and made Winehouse the first British female to win five Grammys, including three of the "Big Four": Best New Artist, Record of the Year and Song of the Year.

On 14 February 2007, she won a BRIT Award for Best British Female Artist; she had also been nominated for Best British Album. She won the Ivor Novello Award three times, one in 2004 for Best Contemporary Song (musically and lyrically) for "Stronger Than Me", one in 2007 for Best Contemporary Song for "Rehab", and one in 2008 for Best Song Musically and Lyrically for "Love Is a Losing Game", among other distinctions. The album is the biggest seller of the 2000s in the United Kingdom. Winehouse is credited as an influence in the rise in popularity of female musicians and soul music, and also for revitalising British music.

Winehouse was found dead on 23 July 2011, at her home in London. Police have said that the cause of her death is "as yet unexplained" and that the death was "non-suspicious". Winehouse's family and friends attended her funeral on 26 July 2011. In August 2011 her album ''Back to Black'' became the UK's best selling album of the 21st century.

Early life

Winehouse was born in the Southgate area of North London to a Jewish family, with Russian ancestry on her mother's side, who influenced her interest in jazz. Winehouse was the daughter of Mitchell (Mitch) Winehouse, a taxi driver, and Janis Winehouse (''née'' Seaton), a pharmacist. Her grandmother had once been engaged to Ronnie Scott. Her brother, Alex, is four years older. Mitch often sang Frank Sinatra songs to young Amy, who also took to a constant habit of singing to the point that teachers found it difficult keeping her quiet in class. Winehouse's parents separated when she was nine.

When Winehouse was nine years old, her grandmother, Cynthia, suggested she attend the Susi Earnshaw Theatre School for further training. At age ten, Winehouse founded a short-lived rap group called Sweet 'n' Sour with childhood friend Juliette Ashby. She stayed at the Earnshaw school for four years before seeking full-time training at Sylvia Young Theatre School, but was allegedly expelled at 14 for "not applying herself" and for piercing her nose. (Sylvia Young herself has denied this – "She changed schools at 15 – I've heard it said she was expelled; she wasn't. I'd never have expelled Amy.") With other children from the Sylvia Young School, she appeared in an episode of ''The Fast Show'' in 1997. She later attended The Mount School, Mill Hill, the BRIT School in Selhurst, Croydon, Southgate School and Ashmole School.

Music career

Early career

After toying with her brother's guitar, Winehouse received her first guitar when she was 13, and began writing music a year later. She began working soon after, including as a showbiz journalist for the World Entertainment News Network, in addition to singing with local group the Bolsha Band. Her boyfriend at the time, soul singer Tyler James, sent her demo tape to an A&R person. Her future A&R representative at Island/Universal, Darcus Beese, heard her by accident when the manager of The Lewinson Brothers showed him some productions of his clients on which Winehouse featured as vocalist. When he asked who the singer was the manager told him he was not allowed to say. Having decided that he wanted to sign her it took several months of asking around for Beese to eventually discover who the singer was. By this time Winehouse had already recorded a number of songs and signed a publishing deal with EMI. Through the publishers she formed a working relationship with the producer Salaam Remi.

Beese introduced Winehouse to his boss, Nick Gatfield, and the Island head shared his enthusiasm in signing the young artist. Winehouse was signed to Island/Universal as rival interest in Winehouse had started to build, with representatives at EMI and Virgin also starting to make moves. Beese told ''HitQuarters'' that he felt the reason behind the excitement over an artist who was an atypical pop star for the time was due to a backlash against reality TV music shows with audiences becoming starved for genuine young talent.

Winehouse's greatest love was 1960s girl groups. Her stylist Alex Foden borrowed her "instantly recognisable" beehive hairdo (a weave) and she borrowed her Cleopatra makeup from The Ronettes. Her imitation was so successful, the ''Village Voice'' reports: "Ronnie Spector—who, it could be argued, all but invented Winehouse's style in the first place when she took the stage at the Brooklyn Fox Theater with her fellow Ronettes more than 40 years ago—was so taken aback at a picture of Winehouse in the ''New York Post'' that she exclaimed, "I don't know her, I never met her, and when I saw that pic, I thought, 'That's me!' But then I found out, no, it's Amy! I didn't have on my glasses."

''The New York Times'' reporter, Guy Trebay, discussed the multiplicity of influences on Winehouse's style. Trebay notes: "her stylish husband, Blake Fielder-Civil, may have influenced her look." Additionally, Trebay observes: :She was a 5-foot-3 almanac of visual reference, most famously to Ronnie Spector of the Ronettes, but also to the white British soul singer Mari Wilson, less famous for her sound than her beehive; to the punk god Johnny Thunders...; to the fierce council-house chicks... (see: Dior and Chanel runways, 2007 and 2008); to the rat-combed biker molls photographed by the Swiss photographer Karlheinz Weinberger in the 1960s; to a lineage of bad girls extending from Cleopatra to Louise Brooks’s Lulu to Salt-n-Pepa, irresistible man traps who always seem to come to the same unfortunate end.

Major label success and ''Frank''

Winehouse's debut album, ''Frank'', was released on 20 October 2003. Produced mainly by Salaam Remi, many songs were influenced by jazz and, apart from two covers, every song was co-written by Winehouse. The album received positive reviews with compliments over the "cool, critical gaze" in its lyrics and brought comparisons of her voice to Sarah Vaughan, Macy Gray and others.

The album entered the upper levels of the UK album chart in 2004 when it was nominated for BRIT Awards in the categories of "British Female Solo Artist" and "British Urban Act". It went on to achieve platinum sales. Later in 2004, she won the Ivor Novello (songwriting) Award for Best Contemporary Song, alongside Salaam Remi, with her contribution to the first single, "Stronger Than Me". The album also made the short list for the 2004 Mercury Music Prize. In the same year, she performed at the Glastonbury Festival, the V Festival, the Montreal International Jazz Festival (7 July 2004, at the Club Soda), and on the Jazzworld stage. After the release of the album, Winehouse commented that she was "only 80 percent behind [the] album" because of the inclusion by her record label of certain songs and mixes she disliked. Additional singles from the album were "Take the Box", "In My Bed"/"You Sent Me Flying" and "Pumps"/"Help Yourself".

International success and ''Back to Black''

In contrast to her jazz-influenced former album, Winehouse's focus shifted to the girl groups of the 1950s and 1960s. Winehouse hired New York singer Sharon Jones's longtime band, the Dap-Kings to back her up in the studio and on tour. In May 2006, Winehouse's demonstration tracks such as "You Know I'm No Good" and "Rehab" appeared on Mark Ronson's New York radio show on East Village Radio. These were some of the first new songs played on the radio after the release of "Pumps" and both were slated to appear on her second album. The 11-track album was produced entirely by Salaam Remi and Ronson, with the production credits being split between them. Ronson said in a 2010 interview that he liked working with Winehouse because she was blunt when she did not like his work. Promotion of ''Back to Black'' soon began and, in early October 2006, Winehouse's official website was relaunched with a new layout and clips of previously unreleased songs. ''Back to Black'' was released in the UK on 30 October 2006. It went to number one on the UK Albums Chart numerous times, and entered at number seven on the ''Billboard'' 200 in the US. It was the best-selling album in the UK in 2007, selling 1.85 million copies over the course of the year.

The album spawned a number of singles. The first single released from the album was the Ronson-produced "Rehab". The song reached the top ten in the UK and the US. ''Time'' magazine named "Rehab" the Best Song of 2007. Writer Josh Tyrangiel praised Winehouse for her confidence, saying, "What she is is mouthy, funny, sultry, and quite possibly crazy" and "It's impossible not to be seduced by her originality. Combine it with production by Mark Ronson that references four decades worth of soul music without once ripping it off, and you've got the best song of 2007." The album's second single and lead single in the US, "You Know I'm No Good", was released in January 2007 with a remix featuring rap vocals by Ghostface Killah. It ultimately reached number 18 on the UK singles chart. The title track, "Back to Black", was released in the UK in April 2007 and peaked at number 25, but was more successful across mainland Europe. "Tears Dry on Their Own", "Love Is a Losing Game" and "Just Friends" were also released as singles, but failed to achieve the same level of success.

A deluxe edition of ''Back to Black'' was also released on 5 November 2007 in the UK. The bonus disc features B-sides, rare, and live tracks, as well as "Valerie". Winehouse's debut DVD ''I Told You I Was Trouble: Live in London'' was released the same day in the UK and 13 November in the US. It includes a live set recorded at London's Shepherds Bush Empire and a 50-minute documentary charting the singer's career over the previous four years. ''Frank'' was released in the United States on 20 November 2007 to positive reviews. The album debuted at number 61 on the Billboard 200 chart.

In addition to her own album, she collaborated with other artists on singles. Winehouse was a vocalist on the song "Valerie" on Ronson's solo album ''Version''. The song peaked at number two in the UK, upon its October single release. The song was nominated for a 2008 Brit Award for "Best British Single". Her work with ex-Sugababe Mutya Buena, "B Boy Baby", was released on 17 December 2007. It served as the fourth single from Buena's solo debut album, ''Real Girl''.

Continued success and acclaim

By year's end, Winehouse had garnered numerous accolades and awards. The singer won 2008 Grammy Awards in the categories of Record of the Year, Song of the Year, and Best Female Pop Vocal Performance for the single "Rehab", while her album ''Back to Black'' was nominated for Album of the Year and won the Best Pop Vocal Album award. Producer Mark Ronson's work with her won the award in the Grammy Award for Producer of the Year, Non-Classical category. The singer also earned a Grammy in the Best New Artist category. This earned Winehouse an entry in the 2009 edition of the Guinness Book of World Records for Most Grammy Awards won by a British Female Act. She performed "You Know I’m No Good" and "Rehab" at the awards ceremony via satellite, as her visa approval came through too late for her to travel to the US. She said "This is for London because Camden town is burning down", in reference to the Camden Market fire. After the Grammy Awards, the album's sales increased catapulting ''Back to Black'' to number two on the U.S. ''Billboard'' 200 after initially peaking at number seven. On 13 January 2008, ''Back to Black'' held the number one position on the ''Billboard'' Pan European charts for the third straight week. In January 2008, Universal Music International said it believed that there was a correlation between number of albums sold and the extensive media coverage the singer had received.

thumb|left|Performing at Eurockéennes in Belfort, Territoire de Belfort, France on 29 June 2007 A special deluxe edition of ''Back to Black'' topped the UK album charts on 2 March 2008. The original edition of the album resided at the number 30 position, in its 68th week on the charts, while "Frank" charted at number 35. By 12 March, the album had sold a total of 2,467,575 copies, 318,350 of those in the previous 10 weeks, putting the album on the UK's top 10 best-selling albums of the 21st century for the first time. On 7 April, ''Back to Black'' was residing at the top position on the pan-European charts for the sixth consecutive and thirteenth aggregate week. ''Back to Black'' was the world's seventh biggest selling album for 2008. These sales helped keep Universal Music's recorded music division from dropping to levels experienced by the overall music market.

At the 2008 Ivor Novello Awards, Winehouse became the first artist to receive two nominations for the top award, best song, musically and lyrically. She won the award for "Love Is a Losing Game" and was nominated for "You Know I'm No Good". "Rehab", a Novello winner for best contemporary song in 2006, also received a 2008 nomination for best-selling British song. Winehouse was nominated for a MTV Europe Award in the ''Act of The Year'' category. ''Amy Winehouse – The Girl Done Good: A Documentary Review'', a 78-minute DVD, was released on 14 April 2008. The documentary features interviews with those who knew her at a young age, helped her gain success, jazz music experts, as well as music and pop culture specialists. A clip of Winehouse's music was included in the "Roots and Influences" area that looked at connections between different artists at the Rock and Roll Hall of Fame Annex NYC, which opened in December 2008. One thread started with Billie Holiday continued with Aretha Franklin, Mary J. Blige and finished with Winehouse. In a poll of United States residents conducted for VisitBritain by Harris Interactive that was released in March 2009, one fifth of those polled indicated they had listened to Winehouse's music during the previous year. Winehouse performed with Rhythms del Mundo on their cover of the Sam Cooke song "Cupid" for an ''Artists Project Earth'' benefit album that was released on 13 July 2009.

On the week of July 26, after Winehouse's death, ''Frank'', ''Back To Black'', and the ''Back To Black'' EP re-entered the ''Billboard'' 200 at number 57, number 9, and number 152 respectively with the album climbing to number 4 the following week. ''Back To Black'' also topped the ''Billboard'' Digital Albums chart on the same week and was the second best seller at iTunes. "Rehab" re-entered and topped the ''Billboard'' Digital Songs chart as well, selling up to 38,000 more digital downloads. As of August 2011 "Back to Black" was the best selling album in the United Kingdom in the 21st Century.

Final projects

Winehouse and Mark Ronson contributed a cover of Lesley Gore's "It's My Party" to the Quincy Jones tribute album ''Q Soul Bossa Nostra'' released 9 November 2010. Winehouse and drummer ?uestlove of the Roots had agreed to form a group. Winehouse's problems obtaining a visa delayed the still unnamed group from working together. Producer Salaam Remi had already created some material with Winehouse as part of the project. According to a newspaper report, Universal Music pressed her regarding new material in 2008. According to that same report Winehouse as of 2 September had not been near a recording studio. It was noted that she had touring obligations during the summer and also that if an album was quickly recorded, it would be at least a year before an album could be released. In late October, Winehouse's spokesman was quoted as saying that Winehouse had not been given a deadline to complete her third album, for which she was learning to play drums.

During her 2009 stay in Saint Lucia, Winehouse worked on new music with producer Salaam Remi. Island claimed that a new album would be due in 2010; Island co-president Darcus Beese said, "I've heard a couple of song demos that have absolutely floored me". In July 2010 Winehouse was quoted as saying her next album would be released no later than January 2011, saying "It’s going to be very much the same as my second album, where there's a lot of jukebox stuff and songs that are... just jukebox, really." Mark Ronson said in July 2010 that he had not started to record the album.

American singer Tony Bennett recorded a song with Winehouse for his forthcoming album, ''Duets II'', which is scheduled for release on 20 September 2011. Following her death Winehouse's spokesperson said the singer left behind “plenty” of material but no discussions had taken place in regards to releasing it. It is uncertain how far along she had gotten in the recording process. The proceeds from the single will go to a charity set up in Winehouse's name.

Artistry

Influence

British singer Adele has credited Winehouse's success in the United States for making her and fellow British singer Duffy's journey to the United States "a bit smoother". American singer Lady Gaga credited Winehouse with paving the way for her rise to the top of the charts. She appeared to be using a metaphorical analogy to explain that Winehouse made it easier for unconventional women to have mainstream pop success. The "Winehouse phenomenon" has been credited by Sebastian Danchin, author of ''Encyclopedia of Rhythm & Blues and Soul'', with kick-starting a revival of soul music that has been ongoing since 2000. Danchin quoting Raphael Saadiq, Anthony Hamilton, and John Legend said "Amy Winehouse was produced by people who wanted to create a marketing coup. The positive side is that it reacquainted an audience with this music and played an introductory role for others. This reinvigorated the genre by overcoming the vintage aspect".

The release of ''Back to Black'' and the emergence of Lily Allen has been credited by ''The Sunday Times'' as directly creating the market for the media proclaimed "the year of the women" in 2009 which has seen five female artists nominated for the Mercury Prize. After the album was released, record companies sought out female artists with a similar sound and fearless and experimental female musicians in general. Adele and Duffy were the second wave of artists with a sound similar to Winehouse's. A third wave of female musicians that has emerged since the album was released are led by VV Brown, Florence and the Machine, La Roux and Little Boots. In February 2010, rapper Jay-Z credited Winehouse with revitalising British music, saying, "There's a strong push coming out of London right now, which is great. It's been coming ever since I guess Amy (Winehouse). I mean always, but I think Amy, this resurgence was ushered in by Amy." In March 2011 the ''New York Daily News'' ran an article attributing the continuing wave of British female artists that have been successful in the United States to Winehouse and her absence. ''Spin'' magazine music editor Charles Aaron was quoted as saying "Amy Winehouse was the Nirvana moment for all these women," "They can all be traced back to her in terms of attitude, musical styles or fashion". According to Keith Caulfield, chart manager for ''Billboard'', "Because of Amy, or the lack thereof, the marketplace was able to get singers like Adele and Duffy," "Now those ladies have brought on the new ones, like Eliza Doolittle, Rumer and Ellie."

Live performances

Winehouse toured in conjunction with the ''Back to Black'' album's release. She performed headlining gigs in September and November 2006, including one of the ''Little Noise Sessions'' charity concerts at the Union Chapel, Islington. On 31 December 2006, Winehouse appeared on Jools Holland's Annual Hootenanny and performed a cover of Marvin Gaye's "I Heard It Through the Grapevine" along with Paul Weller and Holland's Rhythm and Blues Orchestra. She also performed Toots & the Maytals' "Monkey Man". She began a run of another 14 gigs beginning in February 2007. At his request, Bruce Willis introduced Winehouse before her performance of "Rehab" at the 2007 MTV Movie Awards. Winehouse made awards organizers nervous when she went on a Las Vegas jaunt in the hours before the show. During the summer of 2007, Winehouse performed at various festivals, including UK's Glastonbury Festival, Chicago's Lollapalooza festival, Rock Werchter and Baltimore's Virgin Music Festival.

Winehouse's tour, however, did not go as well. In November 2007, the opening night of a 17-date tour was marred by booing and walkouts at the National Indoor Arena in Birmingham. A music critic for the ''Birmingham Mail'' said it was "one of the saddest nights of my life...I saw a supremely talented artist reduced to tears, stumbling around the stage and, unforgivably, swearing at the audience." Other concerts ended similarly, with, for example, fans at her Hammersmith Apollo performance saying that she "looked highly intoxicated throughout", until she announced on 27 November 2007, that her performances and public appearances were cancelled for the remainder of 2007, citing doctor advice to take a complete rest. A statement issued by concert promoter Live Nation blamed "the rigours involved in touring and the intense emotional strain that Amy has been under in recent weeks" for the decision.

On 20 February 2008, Winehouse performed at the 2008 BRIT Awards, performing "Valerie" with Mark Ronson, followed by "Love Is a Losing Game". She urged the crowd to "make some noise for my Blake." In Paris, she performed what was described as a "well-executed 40 minute" set at the opening of a Fendi boutique. Although her father, manager and various members of her touring team reportedly tried to dissuade her, Winehouse performed at the Rock in Rio Lisboa festival in Portugal in May 2008. Although the set was plagued by a late arrival and problems with her voice, the crowd warmed to her. In addition to her own material she performed two Specials covers. Winehouse performed at Nelson Mandela's 90th Birthday Party concert at London's Hyde Park on the 27 June, and the next day at the Glastonbury Festival. On 12 July at the Oxegen Festival she performed a well-received 50 minute set which was followed the next day by a 14 song set at T in the Park. On 16 August she played at the Staffordshire leg of the V Festival, and the following day played the Chelmsford leg of the festival. Organizers said that Winehouse attracted the biggest crowds of the festival. Audience reaction was reported as mixed. On 6 September she was the headliner at Bestival. She performed what was described as a polished set which ended with her storming off the stage. Her hour late arrival caused her set to be cut off at the halfway point due to a curfew.

In May 2009, Winehouse returned to performing at a jazz festival in Saint Lucia amid torrential downpours and technical difficulties. During her hour long set it was reported she was unsteady on her feet and had trouble remembering lyrics. She apologised to the crowd for being "bored" and ended her set by walking off the stage in the middle of a song. To a cheering crowd on 23 August at the V festival, Winehouse sang with The Specials on their songs "You're Wondering Now" and "Ghost Town".

In July 2010, she performed "Valerie" with Mark Ronson at a movie premiere. She sang lead but forgot some of the song's lyrics. In October Winehouse performed a four song set to promote her fashion line. In December 2010 Winehouse played a 40 minute concert at a Russian oligarch's party in Moscow. Guests included other Russian tycoons and Russian show business stars. The tycoon hand picked the songs she played.

During January 2011, she played five dates in Brazil, with opening acts of Janelle Monáe and Mayer Hawthorne. On 11 February 2011, Winehouse cut short a performance in Dubai following booing from the audience. Winehouse was reported to be tired, distracted and "tipsy" during the performance.

On 18 June 2011, Winehouse started her 12-leg 2011 European tour in Belgrade. Local media described her performance as a scandal and disaster, and she was booed off the stage due to her apparently being too drunk to perform. It was reported that she was unable to remember the city she was in, the lyrics of her songs or – when trying to introduce them – the names of the members of her band. The local press also claimed that Winehouse was forced to perform by her bodyguards, who didn't allow her to leave the stage when she tried to do so. She then pulled out of performances in Istanbul and Athens which had been scheduled for the following week. On 21 June it was announced that she had cancelled all shows of her European tour and would be given "as long as it takes" to sort herself out.

Winehouse's last public appearance took place at Camden's Roundhouse, London on 20 July 2011, when she made a surprise guest appearance on stage to support her goddaughter, Dionne Bromfield, who was singing "Mama Said" with The Wanted.

Club nights

On 10 July 2008, Winehouse launched her own club night, ''Snakehips at the Monarch'', in the Camden Monarch venue in London. Although billed as a DJ battle between her and another DJ, she stayed behind the decks swaying as another person actually played 1960s music. She appeared at another ''Snakehips'' event at the Monarch on the night of 11 September. After reportedly arriving two hours late, she spun music and played a short acoustic set.

Other ventures

Winehouse joined a campaign to stop a block of flats being built beside the George Tavern, a famous London East End music venue. Campaign supporters feared the residential development would end the spot's lucrative sideline as a film and photo location, on which it relies to survive. As part of a breast cancer awareness campaign, Winehouse appeared in a revealing photograph for the April 2008 issue of ''Easy Living'' magazine. Winehouse had an estimated £10m fortune, tying her for tenth place in the 2008 ''Sunday Times'' listing of the wealth of musicians under age 30. The following year her fortune had dropped to an estimated £5m. Her finances are run by Mitch and Janis Winehouse. It was reported she earned about £1m singing at two private parties during Paris Fashion Week. as well as another £1m to perform at a Moscow Art Gallery for Russian oligarch Roman Abramovich. Winehouse loaned a vintage dress used in her video for "Tears Dry on Their Own" as well as a DVD to the British Music Experience, a new museum dedicated to the history of British pop music. The museum, located in The O2, opened on 9 March 2009.

In January 2009, Winehouse announced that she was launching her own record label. The first act on her Lioness Records is Winehouse's 13-year-old goddaughter, Dionne Bromfield. Her first album, featuring covers of classic soul records, was released on 12 October 2009. Winehouse is the backing singer on several tracks on the album and she performed backing vocals for Bromfield on the television programme ''Strictly Come Dancing'' on 10 October.

Winehouse and her family are the subject of a 2009 documentary shot by Daphne Barak titled ''Saving Amy''.

Winehouse entered into a joint venture in 2009 with EMI to launch a range of wrapping paper and gift cards containing song lyrics from her album ''Back to Black''.

On 8 January 2010, a television documentary, ''My Daughter Amy'', aired on Channel 4.

''Saving Amy'' was released as a paperback book in January 2010.

Winehouse collaborated on a 17 piece fashion collection with the Fred Perry label. It was released for sale in October 2010. According to Fred Perry's marketing director "We had three major design meetings where she was closely involved in product style selection and the application of fabric, colour and styling details,” and gave "crucial input on proportion, colour and fit”. The collection consists of "vintage-inspired looks including Capri pants, a bowling dress, a trench coat, pencil skirts, a longline argyle sweater and a pink-and-black checkerboard-printed collared shirt". At the behest her family three forthcoming collections up to and including autumn/winter 2012 that she had designed prior to her death will be released.

Personal life

With the paparazzi taking photographs of her wherever they could, Winehouse obtained an injunction against a leading paparazzi agency (Big Pictures) under the Protection from Harassment Act 1997, the resultant court order banning them from following her. Photographers were also banned from following her within 100 metres of her home and photographing Winehouse in her home or the home of her friends and family. According to a newspaper report, sources close to the singer said legal action was taken out of concern for the safety of Winehouse and those close to her.

Relationships

Winehouse dated chef-musician Alex Clare (sometimes referred to as Alex Claire) in 2006, while on the outs with her on-off boyfriend and future husband, Blake Fielder-Civil. Clare famously sold his story to the ''News of the World'', which published it under the headline “Bondage Crazed Amy Just Can’t Beehive in Bed”.

She married Fielder-Civil (born August 1978), a former video production assistant, on 18 May 2007, in Miami Beach, Florida. Fielder-Civil was a "dropout" of Bourne Grammar School, who moved to London at aged 16 from his native Lincolnshire. In a June 2007 interview, Winehouse admitted she was sometimes violent towards him when she had been drinking, stating "if he says one thing I don't like then I'll chin him". In August 2007, they were photographed, bloodied and bruised, in the streets of London after an alleged fight, although she contended her injuries were self-inflicted. Equality campaigner Glenn Sacks criticised Winehouse for "bragging" about abusing her husband, noting how a male abuser would have been "locked up, stigmatised, and vilified".

Winehouse's parents and in-laws publicly reported their numerous concerns, citing fears that the two might commit suicide, with Fielder-Civil's father encouraging fans to boycott her music. Fielder-Civil was quoted in a British tabloid as saying he introduced her to crack cocaine and heroin. During a visit with Mitch Winehouse at the prison in July 2008, Fielder-Civil reportedly said that they would cut themselves to ease the pain of withdrawal.

From 21 July 2008 to 25 February 2009, Fielder-Civil was imprisoned following his guilty plea on charges of trying to pervert the course of justice as well as a charge of grievous bodily harm with intent. The incident, in July 2007, involved an assault on a pub landlord that resulted in a broken cheek. According to the prosecution the landlord accepted £200,000 as part of a deal to "effectively throw the [court] case and not turn up". The prosecution testified that the money used to pay off the landlord belonged to Winehouse, but that Winehouse pulled out of a meeting with the men involved in the plot, because she had to attend an awards ceremony.

Winehouse was spotted with aspiring actor Josh Bowman on holiday in Saint Lucia in early January 2009, saying she was "in love again, and I don't need drugs." She commented that the "whole marriage was based on doing drugs" and that "for the time being I've just forgotten I'm even married." On 12 January, Winehouse's spokesman confirmed that "papers have been received" for what Fielder-Civil's solicitor has said are divorce proceedings based on a claim of adultery. On 25 February, Blake Fielder-Civil was quoted as saying that he planned to continue divorce proceedings to give himself a drug-free fresh start. In March, Winehouse was quoted in a magazine as saying, "I still love Blake and I want him to move into my new house with me – that was my plan all along ... I won't let him divorce me. He's the male version of me and we're perfect for each other." Uncontested, the divorce was granted on 16 July 2009 and became final on 28 August 2009. Upon his request Fielder-Civil received no money in the settlement. She is believed to have been dating director Reg Traviss shortly before her death.

Substance abuse and mental health issues

Winehouse's battles with substance abuse were the subject of much media attention. In various interviews, she admitted to having problems with self-harm, depression and eating disorders. In 2005, she went through a period of drinking, heavy drug use, violent mood swings and weight loss. People who saw her during the end of that year and early 2006 reported a rebound that coincided with the writing of ''Back to Black''. Her family believes that the mid-2006 death of her grandmother, who was a stabilising influence, set her off into addiction. In August 2007, Winehouse cancelled a number of shows in the UK and Europe, citing exhaustion and ill health. She was hospitalised during this period for what was reported as an overdose of heroin, ecstasy, cocaine, ketamine and alcohol.

Winehouse told a magazine that the drugs were to blame for her hospitalisation and that "I really thought that it was over for me then." Soon after, Winehouse's father commented that when he had made public statements regarding her problems, he was using the media because it seemed the only way to get through to her. In an interview with ''The Album Chart Show'' on British television, Winehouse said she was manic depressive and not alcoholic, adding that that sounded like "an alcoholic in denial". A U.S. reporter writes that Winehouse was a "victim of mental illness in a society that doesn't understand or respond to mental illness with great effectiveness".

On 2 December 2007, images of the singer outside her home in the early morning hours, barefoot and wearing only a bra and jeans, appeared on the internet and in tabloid newspapers. In a statement, her spokesman blamed paparazzi harassment for the incident. The spokesman reported that the singer was in a physician-supervised programme and was channelling her difficulties by writing a lot of music. The British tabloid ''The Sun'' posted a video of a woman, alleged to be Winehouse, apparently smoking crack cocaine and speaking of having taken ecstasy and valium. Winehouse's father moved in with her, and Island Records, her record label, announced the abandonment of plans for an American promotion campaign on her behalf. In late January 2008, Winehouse reportedly entered a rehabilitation facility for a two-week treatment program.

On 23 January 2008, the video was passed on to the Metropolitan Police, who questioned her on 5 February. No charges were brought. On 26 March 2008, Winehouse's spokesman said she was "doing well" and denied a published report in a British tabloid that consideration was being given to having her return to rehab. Her record company reportedly believed that her recovery remained fragile. By late April 2008, her erratic behaviour, including an allegation of assault, caused fear that her drug rehabilitation efforts have been unsuccessful, leading to efforts by Winehouse's father and manager to seek assistance in having her sectioned. Her dishevelled appearance during and after a scheduled club night in September sparked new rumours of a relapse. Photographers were quoted as saying she appeared to have cuts on her legs and arms.

In an interview released in June 2009, Winehouse's father said the singer was in a drug replacement programme. He said she was gradually recovering but that heavy drinking was causing "slight backward steps". A documentary shot early in 2009 shows Winehouse apparently intoxicated according to a newspaper report. Pictures published by a magazine in July 2009 upon her return to the United Kingdom from her extended stay in Saint Lucia appeared to show that Winehouse had gained weight and that her complexion was improved. In an October 2010 interview, Winehouse said she had been drug-free for three years, saying "I literally woke up one day and was like, 'I don’t want to do this any more.'”

Winehouse entered the Priory Clinic on 25 May 2011, where she stayed for one week.

Violence and legal difficulties

In 2006, Winehouse admitted punching a fan in the face for criticising her having taken Blake Fielder-Civil as a husband. She then attacked her spouse as he attempted to calm her down, kneeing him in the crotch.

In October 2007, Winehouse and her then-husband were arrested in Bergen, Norway for possession of seven grams of marijuana. The couple were later released and fined 3850 kroner (around £350). Winehouse first appealed the fines, claiming she was "duped" into confessing, but later dropped the appeal.

On 26 April 2008, Winehouse was cautioned after she admitted to police she slapped a 38 year-old man in the face, a "common assault" offence. She voluntarily turned herself in and was held overnight. Police said, at her arrival she was "in no fit state" to be interviewed. Winehouse was arrested on 7 May 2008 on suspicion of possessing drugs after a video of her apparently smoking crack cocaine was passed to the police in January, but was released on bail a few hours later because they could not confirm, from the video, what she was smoking. The Crown Prosecution Service considered charging her with possessing a controlled drug and allowing her premises to be used for the supply by others of a controlled drug, but she was cleared when the service could not establish that the substance in the video was a controlled drug. In reaction to the decision, former police commander John O’Connor said it is an "absolute scandal that nothing could be done" about Winehouse "cocking a snook at the law". Some members of Parliament also reacted negatively. Two London residents were subsequently charged with conspiracy to supply cocaine and ecstasy to Winehouse. One of the pair was sentenced to two years in prison on 13 December 2008, while the other received a two-year community order.

On 5 March 2009, Winehouse was arrested and charged with common assault following a claim by a woman that Winehouse hit her in the eye at a September 2008 Prince's Trust charity ball. At the same time, she was reported to have spat at the English socialite Pippa Middleton and to have headbutted a photographer. Winehouse's spokesperson announced the singer cancelled a scheduled United States Coachella Festival appearance in "light of current legal issues". Swearing in under her legal name of Amy Jade Civil, Winehouse appeared in court on 17 March to enter her plea of not guilty. On 23 July her assault trial began with prosecutor Lyall Thompson charging that Winehouse acted with "deliberate and unjustifiable violence" while appearing to be under the influence of alcohol or another substance. The woman, Sharene Flash, testified that Winehouse "punched me forcefully in my right eye. She used a fist, her right one.” Winehouse testified that she did not punch Flash, but tried to push Flash away from her because she was scared of Flash. Winehouse cited her worry that Flash would sell her story to a tabloid, Flash's height advantage, and Flash's "rude" behaviour as reasons for her fear of Flash. On the 24 July, District Judge Timothy Workman ruled that Winehouse was not guilty of the charge. Workman cited the facts that all but two of the witnesses were intoxicated at the time of the incident and that medical evidence did not show "the sort of injury that often occurs when there is a forceful punch to the eye".

On 19 December 2009, Winehouse was arrested again on charges of common assault, plus another charge of public order offence. Winehouse assaulted the front-of-house manager of the Milton Keynes Theatre after he asked her to move from her seat. On 20 January 2010, she admitted common assault and disorderly behaviour. She was given a two-year conditional discharge and ordered to pay £85 court costs and £100 compensation to the man she attacked.

Respiratory problems

On 23 June 2008, Winehouse's publicist corrected earlier misstatements by Mitch Winehouse that his daughter had early stage emphysema, instead claiming she had signs of what could lead to early-stage emphysema. Mitch Winehouse had also stated that his daughter's lungs were operating at 70 percent capacity and that she had an irregular heartbeat. Mitch Winehouse said that these problems had been caused by her chain smoking and crack cocaine use. The singer’s father also reported that doctors had warned Winehouse that, if she continued smoking crack cocaine, she would have to wear an oxygen mask and would eventually die. In a radio interview, Mitch Winehouse said the singer was responding "fabulously" to treatment, which included being covered with nicotine patches. British Lung Foundation spokesman Keith Prowse noted this type of condition could be managed with treatment. Prowse also said the condition was not normal for a person her age but "heavy smoking and inhaling other substances like drugs can age the lungs prematurely". Norman H. Edelman of the American Lung Association explained that if she stopped smoking, her lung functions would decline at the rate of a normal person, but continued smoking would lead to a more rapid decline in lung function. Photographs of the singer with a cigarette in her mouth, taken 23 June 2008, were widely published.

Winehouse was released from The London Clinic 24 hours after returning from a temporary leave to perform at Nelson Mandela's 90th birthday and at a concert in Glastonbury, and continued receiving treatment as an outpatient. In July, 2008 Winehouse stated that she had been diagnosed with "some areas of emphysema" and said she is getting herself together by "eating loads of healthy food, sleeping loads, playing my guitar, making music and writing letters to my husband every day". She also kept a vertical tanning bed in her apartment. Winehouse began precautionary testing on her lungs and chest on 25 October 2008 at the London Clinic for what was reported as a chest infection. Winehouse was in and out of the facility and was granted permission to set her own schedule regarding home leave. She returned to the hospital on 23 November 2008 for a reported reaction to her medication.

Death

During his eulogy, Mitch Winehouse who was in New York at the time of his daughters death said that his daughter had gone to a routine appointment at her doctor's the night before her death. According to her father's account of events following the appointment, she went home then sang and played the drums into the early hours of her last day before being told to keep it down by her security guard. Mitch Winehouse further stated that the security guard checked on her at about 8am and saw her apparently asleep, but when he made his second check in the afternoon he realized that Winehouse had died. At 3:54 pm BST on 23 July 2011, two ambulances were called to Winehouse's home in Camden, London. Winehouse was pronounced dead at the scene. Shortly afterwards, the Metropolitan Police confirmed that she had died. After her death was announced, media and camera crews appeared, as crowds gathered near Winehouse’s residence to pay their respects. Forensic investigators entered the flat as police cordoned off the street outside.

Winehouse's record label, Universal Republic, released a statement that read in part: "We are deeply saddened at the sudden loss of such a gifted musician, artist and performer." Many musical artists have since paid tribute to Winehouse including U2, Lady Gaga, Nicki Minaj, Rihanna, George Michael, Adele, Kelly Clarkson, and Courtney Love.

Family and friends attended Winehouse's funeral on 26 July 2011 at Edgwarebury Lane cemetery in north London. Her mother and father, Janis and Mitch Winehouse, close friend Kelly Osbourne, producer Mark Ronson and her boyfriend Reg Traviss were among those in attendance at the private service led by Rabbi Frank Hellner. Her father delivered the eulogy, saying "Goodnight, my angel, sleep tight. Mummy and Daddy love you ever so much." Carole King's "So Far Away" closed the service with mourners singing along. She was later cremated at Golders Green Crematorium. The family planned to sit a two-day shiva. Winehouse's parents intend to set up a foundation in her name, to help those affected by drug addiction.

A post mortem was carried out on 25 July. The results were inconclusive and no cause of death could be established. The coroner stated that a "Section 20" postmortem had been done on Winehouse, which implies that the coroner believes "there is reasonable cause to suspect that a person has died a violent or unnatural death or in any other way which would require an inquest." An inquest was adjourned until 26 October, and results of further toxicology tests took about four weeks.

On August 23, the Winehouse family released a short statement about the results of toxicology tests returned to them by authorities: there were "no illegal drugs" and "alcohol was present" in Winehouse's system at the time of her death, but a cause of death still could not be determined. The statement concluded, "The family would like to thank the police and coroner for their continuing thorough investigations and for keeping them informed throughout the process. They await the outcome of the inquest in October."

Controversy

Winehouse's dichotomous public image of critical and commercial success versus personal turmoil proved to be controversial. ''The New Statesman'' magazine called Winehouse "a filthy-mouthed, down-to-earth diva," while ''Newsweek'' magazine called her "a perfect storm of sex kitten, raw talent and poor impulse control." Karen Heller with ''The Philadelphia Inquirer'' summarised the maelstrom this way:

She's only 24 with six Grammy nods, crashing headfirst into success and despair, with a codependent husband in jail, exhibitionist parents with questionable judgement, and the paparazzi documenting her emotional and physical distress. Meanwhile, a haute designer Karl Lagerfeld appropriates her dishevelled style and eating issues to market to the elite while proclaiming her the new Bardot.

By 2008, her continued drug problems threatened her career. Even as Nick Gatfield, the president of Island Records, toyed with the idea of releasing Winehouse "to deal with her problems", he remarked on her talent, saying, "It’s a reflection of her status [in the U.S.] that when you flick through the TV coverage [of the Grammys] it’s her image they use." Post-Grammys, some questioned whether Winehouse should have been honoured with the awards given her recent personal and drug problems, including Natalie Cole, who introduced Winehouse at the ceremony. Cole (who battled her own substance-abuse problems while winning a Grammy for Best New Artist in 1975) remarked, "I think the girl is talented, gifted, but it's not right for her to be able to have her cake and eat it too. She needs to get herself together." In an opinion newspaper commentary, Antonio Maria Costa, executive director of the United Nations Office on Drugs and Crime, said that the alleged drug habits of Winehouse and other celebrities send a bad message "to others who are vulnerable to addiction" and undermine the efforts of other celebrities trying to raise awareness of problems in Africa, now that more cocaine used in Europe passes through Africa. Winehouse's spokesperson called Costa a "ludicrous man" and noted that "Amy has never given a quote about drugs or flaunted it in any way. She's had some problems and is trying to get better. The U.N. should get its own house in order." Following Winehouse's death William Bennett a former director of the United States Office of National Drug Control Policy criticised the Grammy Awards nominating committee along similar lines. Graeme Pearson, the former head of Scotland's drug enforcement agency, criticised Winehouse and Kate Moss for making going to rehab a badge of honour, thus giving the false impression that quitting drugs is easy, because many cannot afford to go to clinics.

Winehouse became a staple in popularity polls. The 2008 NME Awards nominated Winehouse in the categories of "Villain of the Year", "Best Solo Artist", and "Best Music DVD"; Winehouse won for "Worst Dressed Performer". In its third annual list, ''Glamour'' magazine named Winehouse the third worst dressed British Woman. Winehouse was ranked number two on Richard Blackwell's 48th annual "Ten Worst Dressed Women" list, behind Victoria Beckham. In an April 2008 poll conducted by Sky News, Winehouse was named the second greatest "ultimate heroine" by the UK population at large, topping the voting for that category of those polled under 25 years old. Psychologist Donna Dawson commented that the results demonstrate women like Winehouse who have "a certain sense of vulnerability or have had to fight against some adversity in their lives” receive recognition. Winehouse was voted the second most hated personality in the United Kingdom in a poll conducted one month later by ''Marketing'' magazine.

June 2008 brought a report that Winehouse, singing a disparaging chant about blacks, the disabled, and homosexuals, and containing racial epithets about Pakistanis and Indians, was taped by her husband Fielder-Civil, despite assurances to her that he was not filming. Winehouse denied allegations that she was a racist, saying "I don't want to play anything down, but I'm the least racist person going." Winehouse added that the film was taken during "really, really happy times." Speaking at a discussion entitled ''Winehouse or White House?: Do we go too big on showbiz news?'' Jeff Zycinski, head of BBC Radio Scotland, said the BBC and media in general were complicit in the destruction of celebrities like Winehouse. He said that public interest in the singer's lifestyle does not make her lifestyle newsworthy. Rod McKenzie editor of the BBC Radio One program ''Newsbeat'' replied that "If you play [Amy Winehouse's] music to a certain demographic, those same people want to know what's happening in her private life. If you don't cover it, you're insulting young license fee payers." The British artist M.I.A., credited with paving the way for Winehouse and Lily Allen to emerge during her absence, was quoted in ''The Guardian'' in 2007 as saying she found Winehouse "really interesting" continuing "I once saw her in the street and she was really out of it, so I guess she is really living it out. I think Amy's thing is feeling really weird about what she does and dealing with that." British singer and songwriter Lily Allen was quoted in a Scottish newspaper as saying

I know Amy Winehouse very well. And she is very different to what people portray her as being. Yes, she does get out of her mind on drugs sometimes, but she is also a very clever, intelligent, witty, funny person who can hold it together. You just don't see that side.

Artistic impressions

London's Mall Galleries opened an exhibition in May 2008 that included a sculpture of Winehouse, entitled ''Excess''. The piece, created by Guy Portelli, had a miniature of the singer lying on top of a cracked champagne bottle, with a pool of spilled liquid underneath. The body was covered with what appeared to be tiny pills, while one outstretched hand held a glass. Another piece, a print entitled "Celebrity 1" by artist Charlotte Suckling, was exhibited in the same exhibition. A wax sculpture of Winehouse went on display at the London Madame Tussauds on 23 July 2008. The singer did not attend the unveiling, although her parents did. A sculpture by Marco Perego, entitled "The Only Good Rock Star Is a Dead Rock Star", that depicts Winehouse lying in a pool of blood with an apple and a bullet hole in her head after being shot by American novelist and beat poet William S. Burroughs (in a recreation of the accidental killing of his wife Joan Vollmer), was scheduled to go on display in New York’s Half Gallery on 14 November 2008. The sale price for the sculpture is listed at US $100,000. Perego said of the sculpture "Rock stars are the sacrificial animals of society." Winehouse’s spokesperson said "It’s a funny kind of tribute. The artist seems in thrall to a tabloid persona that is not the real Amy. People often use her image to sell their work."

Discography

''Frank'' (2003)

''Back to Black'' (2006)

Awards and nominations

Among the awards and recognitions for ''Frank'', Winehouse earned an Ivor Novello Award for Best Contemporary Song ("Stronger Than Me"), a BRIT Award nomination for Best Female Solo Artist, and an inclusion in Robert Dimery's 2006 book, ''1001 Albums You Must Hear Before You Die''. ''Back to Black'' produced numerous nominations, including two from the BRIT Awards (Best Female Solo Artist and Best British Album), six from the Grammy Awards (including five wins), four from the Ivor Novello Awards, four from the MTV Europe Music Awards, three from the MTV Video Music Awards, three from the World Music Awards, and one each from the Mercury Prize (Album of the Year) and MOBO Awards (Best UK Female). During her career, Winehouse received 23 awards from 60 nominations.

See also

27 Club

References

Further reading

;General

Lewis, Pete. "A Blues & Soul Classic Interview With Amy Winehouse Before 'Rehab'" ''Blues & Soul''. April 2004 (reprinted February 2008).

Anderman, Joan. "Of course she should go to rehab." ''Boston Globe''. 15 December 2007.

Gould, Lara; Bull, Sarah; & Satherly, Jessica. "Sordid final hours of a troubled star: Amy Winehouse had 'bought ecstasy, cocaine and ketamine' on the night before tragic death". ''Daily Mail''. 24 July 2011.

Grimwood, Ben. CollegeNews.com. 29 November 2007.

Gundersen, Edna. "Amy Winehouse's sobering transformation could hurt her musical credibility." ''USA TODAY''. 28 January 2008.

Hill, Emily. "Amy Winehouse: her own woman." ''The Guardian''. 31 July 2008

Pareles, Jon. "In Real Time, Amy Winehouse’s Deeper Descent." ''New York Times'' 24 January 2008.

Rosen, Jody. "Dark Star." ''Slate''. 12 February 2008.

Smith, Joan. "There's nothing poetic about Amy's self-destruction" ''The Independent''. 26 June 2008.

The Smoking Gun. BACKSTAGE RIDER: Divas: Amy Winehouse 12 May 2006.

Tyrangiel, Josh. "Trouble Woman." ''TIME''. 24 January 2008.

Vernon, Polly Amy Winehouse: Unplugged ''Harper's Bazaar'' October 2010

July 2009 Mitch Winehouse interview with ''Daily Mirror'' covering a variety of her personal issues

;Books

Barak, Daphne. ''Saving Amy''. New Holland Publishers, 25 January 2010. ISBN 9781847736703

Johnstone, Nick. ''Amy Amy Amy: The Amy Winehouse Story''. Omnibus Press, 1 April 2008. ISBN 9780825636028.

Newkey-Burden, Chas. ''Amy Winehouse: The Biography''. John Blake Publishing, 7 April 2008. ISBN 1844545636.

External links

[ Amy Winehouse] at the All Music Guide

Amy Winehouse collected news and commentary at ''The New York Times''

New York Times fashion retrospective

Slide Show at ''Rolling Stone''

Videos at Island Records on YouTube

Official Video Of Amy Winehouse performing 'Back To Black' Live and Acoustic at SXSW

Documentary 'The Girl Done Good' free stream

Category:1983 births Category:2011 deaths Category:Amy Winehouse Category:Alumni of the Sylvia Young Theatre School Category:Article Feedback Pilot Category:Blue-eyed soul singers Category:BRIT Award winners Category:English contraltos Category:English female guitarists Category:English-language singers Category:English jazz guitarists Category:English jazz singers Category:English Jews Category:English people convicted of assault Category:English people of Russian descent Category:English rhythm and blues singers Category:English soul singers Category:Grammy Award winners Category:Ivor Novello Award winners Category:Jazz-blues musicians Category:Jewish singers Category:Neo soul singers Category:People educated at the BRIT School Category:People from Camden (district) Category:People from Southgate, London Category:People self-identifying as alcoholics Category:People self-identifying as substance abusers Category:Republic Records artists Category:Singers from London Category:Torch singers Category:Vocal jazz musicians Category:Women in jazz Category:World Music Awards winners

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